obrienk

Friday, July 3, 2020

TGIF Home Again: Learning and Listening from Vincent Harding to Jason Reynolds - Both Citing James Baldwin

This morning I started listening to recent podcast On Being with Krista Tippet interview with Vincent Harding (previously aired and recorded February 24, 2011).

"Vincent Harding was wise about how the vision of the civil rights movement might speak to 21st-century realities. He reminded us that the movement of the ’50s and ’60s was spiritually as well as politically vigorous; it aspired to a “beloved community,” not merely a tolerant integrated society. He pursued this through patient-yet-passionate cross-cultural, cross-generational relationships. And he posed and lived a question that is freshly in our midst: Is America possible?"

Excerpt:

Tippett:When you say that we, as human beings, have a built-in need for stories, what your work shows is that we human beings also know what to do with stories, right? So that, as you say, the young people you work with know to take those stories as tools and pieces of empowerment in this day, this year.
Harding:For their own best work. Because now, it’s a powerful time in this country for young people and others to be asking the question, “And what are we for?” Do we exist for some reason other than competing with China or finding the best possible technological advances? Are there some things that are even deeper that we are meant for, meant to be, meant to do, meant to achieve? Jimmy Baldwin used to like to talk about us achieving ourselves, finding who we are, what we’re for, and making that possible for each other.
So you’re right about — the story — just as you were speaking, what I was thinking about, Krista, was when the mother with the baby at her bosom starts telling stories is clearly not just to pass on information. What I find is that, even in some of the strangest situations, most often where I go, where I speak, where I share, I start out by asking people to tell a little of their stories. And it is amazing what people discover of themselves, of their connections, of their community. It’s wonderful.
Tippett:You know, I’ve learned that too. To ask someone even to tell a little of their story is to give them a gift because we don’t get asked that question. And we do learn as much as we tell. You wrote a very important book, Hope and History



Listen to June 25th, 2020 Interview with Jason Reynolds:

"James Baldwin, my famous Baldwin quote, and he has a gazillion, obviously. But my favorite Baldwin quote is, “The interior life is the real life.” The interior life is the real life. “And the intangible dreams of a person may have a tangible effect on the world.” It’s basically saying, what one can imagine, internally, what one can think about when nobody knows, when nobody’s around, one’s secrets, could shift human life. What an amazing thing to think about.
And my role, even with Stamped and remixing — and the reason we called it a remix is because it’s not a YA adaptation, because I actually rewrote the entire book.
I wanted — we, he and I both — wanted to figure out how we could tap into the imagination of young people. And when it comes to books around race, or when it comes to history books, usually they are presented to students, not humans." 



Which lead me to listening to James Baldwin on YouTube.com



"Mavis Nicholson speaks exclusively to American Civil rights activist and renowned Playwright novelist, essayist, poet, and social critic James Baldwin. First shown: 02/12/1987"



From YouTube.com:

Author James Baldwin taped a candid and fascinating studio interview at WCKT - Miami in 1963. Featured in this edition of the long-running program, "Florida Forum": questions by an in-studio audience and a panel of local journalists. 

bio: James Arthur Baldwin (August 2, 1924 -- December 1, 1987) was an American novelist, essayist, playwright, poet, and social critic. 

Baldwin's essays, for instance, "Notes of a Native Son" (1955), explore palpable yet unspoken intricacies of racial, sexual, and class distinctions in Western societies, most notably in mid-20th century America, vis-à-vis their inevitable if unnameable tensions with personal identity, assumptions, uncertainties, yearning, and questing.[1] 

Some Baldwin essays are book-length, for instance, The Fire Next Time (1963), No Name in the Street (1972), and The Devil Finds Work (1976). 

His novels and plays fictionalize fundamental personal questions and dilemmas amid complex social and psychological pressures thwarting the equitable integration of not only blacks yet also of male homosexuals—depicting as well some internalized impediments to such individuals' quest for acceptance—namely in his second novel, Giovanni's Room (1956), written well before the equality of homosexuals was widely espoused in America.[2] 
Baldwin's best-known novel is his first, Go Tell It on the Mountain (1953).






James Baldwin Speaks! "America, it is not the Negro problem, it is your problem!" Speech to the Los Angeles The Non-Violent Action Committee December, 1964. NVAC was formed by militant dissenters from the Congress of Racial Equality. The talk includes a question and answer session.